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Cartoon - Still Trying to Wake Rip Van Winkle. | McCord Museum
Autre tentative pour réveiller Rip Van Winkle
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Autre tentative pour réveiller Rip Van Winkle

Cartoon

Still Trying to Wake Rip Van Winkle.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1939
Medium / Technique Ink, crayon and graphite on cardboard
Dimensions38.1 x 28.1 cm
Origin Canada
Object NumberM965.199.4228
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Trying to Wake Up Rip Van Winkle.
Trying to Wake Up Rip Van Winkle.
John Collins
About 1951
M965.199.7701
The Awakening of Rip Van Winkle.
The Awakening of Rip Van Winkle.
John Collins
About 1968
M965.199.6549
Reveille for Rip Van Winkle.
Reveille for Rip Van Winkle.
John Collins
About 1953
M965.199.9396
Rip Van Winkle Goes to Washington.
Rip Van Winkle Goes to Washington.
John Collins
1952
M965.199.5524
Ottawa Rip Van Winkle.
Ottawa Rip Van Winkle.
John Collins
About 1947
M965.199.7434
Still Trying to Blow them Out.
Still Trying to Blow them Out.
John Collins
1952
M965.199.617
Still Trying to Hit the Right Note.
Still Trying to Hit the Right Note.
John Collins
About 1946
M965.199.77
Still Trying to Fill in the Details.
Still Trying to Fill in the Details.
John Collins
About 1968
M965.199.6815
Still Trying to Get a Fourth for Bridge.
Still Trying to Get a Fourth for Bridge.
John Collins
About 1953
M965.199.9495
Still Trying for the Big One.
Still Trying for the Big One.
John Collins
About 1946
M965.199.9967
Still Trying for an Encore.
Still Trying for an Encore.
John Collins
About 1956
M965.199.8699
Still Trying to Blow Out the Candles.
Still Trying to Blow Out the Candles.
John Collins
1959
M965.199.5076

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.