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Cartoon - Rip Van Winkle Goes to Washington. | McCord Museum
Rip Van Winkle s'en va à Washington
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Rip Van Winkle s'en va à Washington

Cartoon

Rip Van Winkle Goes to Washington.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1952
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.9 x 29.4 cm
Origin Canada
Object NumberM965.199.5524
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Trying to Wake Up Rip Van Winkle.
Trying to Wake Up Rip Van Winkle.
John Collins
About 1951
M965.199.7701
Reveille for Rip Van Winkle.
Reveille for Rip Van Winkle.
John Collins
About 1953
M965.199.9396
The Awakening of Rip Van Winkle.
The Awakening of Rip Van Winkle.
John Collins
About 1968
M965.199.6549
Ottawa Rip Van Winkle.
Ottawa Rip Van Winkle.
John Collins
About 1947
M965.199.7434
Still Trying to Wake Rip Van Winkle.
Still Trying to Wake Rip Van Winkle.
John Collins
About 1939
M965.199.4228
The Second Team Goes in.
The Second Team Goes in.
John Collins
1955
M965.199.7389
And the Railroad Goes Through the Middle of the House.
And the Railroad Goes Through the Middle of the House.
John Collins
About 1957
M965.199.504
Before He Goes Down for the Third Time.
Before He Goes Down for the Third Time.
John Collins
About 1946
M965.199.5094
Goes with the Desk.
Goes with the Desk.
John Collins
1952
M965.199.5532
The Radio Serial that Goes On and On and On.
The Radio Serial that Goes On and On and On.
John Collins
1952
M965.199.6131
The Music Goes Round and Round.
The Music Goes Round and Round.
John Collins
About 1952
M965.199.6127
Around and Around it Goes-.
Around and Around it Goes-.
John Collins
About 1958
M965.199.1167

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.