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Cartoon - Trying to Wake Up Rip Van Winkle. | McCord Museum
Comment réveiller Rip Van Winkle
Comment réveiller Rip Van Winkle

Cartoon

Trying to Wake Up Rip Van Winkle.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1951
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.8 x 29.3 cm
Origin Canada
Object NumberM965.199.7701
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Still Trying to Wake Rip Van Winkle.
Still Trying to Wake Rip Van Winkle.
John Collins
About 1939
M965.199.4228
Reveille for Rip Van Winkle.
Reveille for Rip Van Winkle.
John Collins
About 1953
M965.199.9396
Rip Van Winkle Goes to Washington.
Rip Van Winkle Goes to Washington.
John Collins
1952
M965.199.5524
The Awakening of Rip Van Winkle.
The Awakening of Rip Van Winkle.
John Collins
About 1968
M965.199.6549
Ottawa Rip Van Winkle.
Ottawa Rip Van Winkle.
John Collins
About 1947
M965.199.7434
No Way to Wake 'Em Up.
No Way to Wake 'Em Up.
John Collins
About 1950
M965.199.9808
Time to Wake Up.
Time to Wake Up.
John Collins
1941/04/24
M965.199.3095
Trying to Catch Up With His Shadow.
Trying to Catch Up With His Shadow.
John Collins
About 1960
M965.199.8928
Trying to Warm Things Up a Bit.
Trying to Warm Things Up a Bit.
John Collins
About 1960
M965.199.8955
Trying to Dig It Up Again.
Trying to Dig It Up Again.
John Collins
About 1959
M965.199.5161
It's Finally Over! Wake Up!
It's Finally Over! Wake Up!
Serge Chapleau
1993
M996.10.758
You're falling asleep, and when you wake up you won't remember anything...
You're falling asleep, and when you wake up you won't remember anything...
Serge Chapleau
1996
M997.52.180

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.