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Cartoon - Still Trying to Hit the Right Note. | McCord Museum
Elle essaie toujours de ne pas fausser
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Elle essaie toujours de ne pas fausser

Cartoon

Still Trying to Hit the Right Note.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1946
Medium / Technique Ink and graphite on cardboard
Dimensions37.0 x 29.3 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.77
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Trying to Hit the Right Note.
Trying to Hit the Right Note.
John Collins
About 1947
M965.199.1331
Can't Seem to Hit the Right Note.
Can't Seem to Hit the Right Note.
John Collins
About 1946
M965.199.213
A Hit in the Right Direction.
A Hit in the Right Direction.
John Collins
1940/09/06
M965.199.1882
Trying to Hit Two Birds with one Stone.
Trying to Hit Two Birds with one Stone.
John Collins
About 1952
M965.199.5451
Still No.1 on the Hit Parade.
Still No.1 on the Hit Parade.
John Collins
About 1948
M965.199.3862
Not Exactly the Right Note.
Not Exactly the Right Note.
John Collins
About 1968
M965.199.6998
Still Trying to Wake Rip Van Winkle.
Still Trying to Wake Rip Van Winkle.
John Collins
About 1939
M965.199.4228
Still Trying to Fill in the Details.
Still Trying to Fill in the Details.
John Collins
About 1968
M965.199.6815
The Right Note.
The Right Note.
John Collins
About 1946
M965.199.9724
Hunting for the Right Note.
Hunting for the Right Note.
John Collins
About 1969
M965.199.6962
Still Trying to Get a Fourth for Bridge.
Still Trying to Get a Fourth for Bridge.
John Collins
About 1953
M965.199.9495
Still Trying for the Big One.
Still Trying for the Big One.
John Collins
About 1946
M965.199.9967

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.