Skip to main content
Collections Menu
Cartoon - Trying to Solve the Re-Entry Problem. | McCord Museum
Pour résoudre le problème de la rentrée
View PDF
Pour résoudre le problème de la rentrée

Cartoon

Trying to Solve the Re-Entry Problem.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1960-1961
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.7 x 29.3 cm
Origin Canada
Object NumberM965.199.9321
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Mr. Gardiner Solves the Butter Problem.
Mr. Gardiner Solves the Butter Problem.
John Collins
About 1955
M965.199.9130
We Seem to Have a Re-Entry.
We Seem to Have a Re-Entry.
John Collins
About 1969
M965.199.6933
"If You Can't Solve It Maybe I Can".
"If You Can't Solve It Maybe I Can".
John Collins
1942/04/13
M965.199.3338
Sounds Like the Other Entry is Having Trouble Too.
Sounds Like the Other Entry is Having Trouble Too.
John Collins
About 1951
M965.199.7667
New Entry.
New Entry.
John Collins
About 1946
M965.199.9846
Our Entry in the Grand Prix.
Our Entry in the Grand Prix.
John Collins
About 1962
M965.199.3806
New Entry.
New Entry.
John Collins
About 1958
M965.199.1268
New Entry in the Cross-Country Race.
New Entry in the Cross-Country Race.
John Collins
1968
M965.199.6568
Don't Bother Mailing Your Entries.
Don't Bother Mailing Your Entries.
John Collins
About 1969
M965.199.6847
Problems of a Travelling Salesman.
Problems of a Travelling Salesman.
John Collins
About 1956
M965.199.1066
Man with a Gift Problem.
Man with a Gift Problem.
John Collins
About 1953
M965.199.9470
A New Decade-Same Old Problems.
A New Decade-Same Old Problems.
John Collins
1960
M965.199.8958

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.