Skip to main content
Collections Menu
Cartoon - A New Decade-Same Old Problems. | McCord Museum
Une nouvelle décennie, les mêmes vieux problèmes
View PDF
Une nouvelle décennie, les mêmes vieux problèmes

Cartoon

A New Decade-Same Old Problems.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1960
Medium / Technique Ink, graphite, watercolour and opaque white pigment on paper
Dimensions36.8 x 29.3 cm
Origin Canada
Object NumberM965.199.8958
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Old Problems Never Die.
Old Problems Never Die.
John Collins
About 1955
M965.199.9108
Back to the Old Problems.
Back to the Old Problems.
John Collins
About 1955
M965.199.5252
Problems for the New Year.
Problems for the New Year.
John Collins
1945
M965.199.4774
New Term-Same Problem.
New Term-Same Problem.
John Collins
About 1948
M965.199.9747
Problems of a Travelling Salesman.
Problems of a Travelling Salesman.
John Collins
About 1956
M965.199.1066
Problems of a Gettysburg Farmer.
Problems of a Gettysburg Farmer.
John Collins
About 1957
M965.199.6256
Problems and Reconversion.
Problems and Reconversion.
John Collins
1945
M965.199.4664
An Early Descent Doesn't Seem to Be One of Our Problems.
An Early Descent Doesn't Seem to Be One of Our Problems.
John Collins
About 1968
M965.199.6688
Problems of a Paper-Hanger.
Problems of a Paper-Hanger.
John Collins
1940/08/24
M965.199.1872
Withdrawal Problems.
Withdrawal Problems.
John Collins
About 1969
M965.199.8010
Fall Out Problems.
Fall Out Problems.
John Collins
About 1958
M965.199.6339
New Tune-Same Old Monkey Business.
New Tune-Same Old Monkey Business.
John Collins
About 1950
M965.199.5338

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.