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Cartoon - New Entry. | McCord Museum
Un nouveau cheval dans la course
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Un nouveau cheval dans la course

Cartoon

New Entry.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1958
Medium / Technique Ink and graphite on paper
Dimensions37.0 x 29.0 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.1268
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
New Entry.
New Entry.
John Collins
About 1946
M965.199.9846
New Entry in the Cross-Country Race.
New Entry in the Cross-Country Race.
John Collins
1968
M965.199.6568
Sounds Like the Other Entry is Having Trouble Too.
Sounds Like the Other Entry is Having Trouble Too.
John Collins
About 1951
M965.199.7667
Our Entry in the Grand Prix.
Our Entry in the Grand Prix.
John Collins
About 1962
M965.199.3806
Trying to Solve the Re-Entry Problem.
Trying to Solve the Re-Entry Problem.
John Collins
1960-1961
M965.199.9321
Don't Bother Mailing Your Entries.
Don't Bother Mailing Your Entries.
John Collins
About 1969
M965.199.6847
We Seem to Have a Re-Entry.
We Seem to Have a Re-Entry.
John Collins
About 1969
M965.199.6933
How could Bertrand Cantat have gained entry to Canada, despite his conviction?
How could Bertrand Cantat have gained entry to Canada, despite his conviction?
Garnotte
2011
M2015.124.70
A Late Entry
A Late Entry
Arthur George Racey
1917
M2005.23.29
Snapshots Contest Entry Blank
Snapshots Contest Entry Blank
Ludger Charpentier
1933
M2017.46.1.48
Should Be a Good Spot for a News Stand.
Should Be a Good Spot for a News Stand.
John Collins
About 1951
M965.199.7735
Displaying the New Models.
Displaying the New Models.
John Collins
1956
M965.199.1067

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.