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Cartoon - Following His Nose. | McCord Museum
Il suit son instinct
Il suit son instinct

Cartoon

Following His Nose.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1956
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.8 x 29.1 cm
Origin Canada
Object NumberM965.199.8696
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Trying to Keep His Nose to the Grindstone.
Trying to Keep His Nose to the Grindstone.
John Collins
About 1947
M965.199.8327
Right Under His Nose
Right Under His Nose
John Collins
About 1944
M965.199.4597
Cutting Off His Nose to Spite His Face.
Cutting Off His Nose to Spite His Face.
John Collins
About 1951
M965.199.7776
Cutting Off His Nose to Spite His Face.
Cutting Off His Nose to Spite His Face.
John Collins
About 1959
M965.199.9083
Right Under His Nose.
Right Under His Nose.
John Collins
About 1956
M965.199.8721
Men from the East Following a Star.
Men from the East Following a Star.
John Collins
About 1951
M965.199.10074
Bourassa cleaning his nose
Bourassa cleaning his nose
Aislin
1974
M2006.142.41
His Nose Out of Joint
His Nose Out of Joint
Rostap
1900
M2001X.6.43.8.72
I knew another big snoop. But his nose was longer...
I knew another big snoop. But his nose was longer...
Normand Hudon
1960
M997.63.439
His Bark Is Worse than His Bite.
His Bark Is Worse than His Bite.
John Collins
About 1953
M965.199.5359
Hard to Keep His Mind on His Work.
Hard to Keep His Mind on His Work.
John Collins
1948
M965.199.8252
High Time He Let His Right Hand Know What His Left Is Doing.
High Time He Let His Right Hand Know What His Left Is Doing.
John Collins
1949
M965.199.1385

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.