Skip to main content
Collections Menu
Cartoon - Right Under His Nose | McCord Museum
Directement sous son nez
View PDF
Directement sous son nez

Cartoon

Right Under His Nose
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1944
Medium / Technique Ink, crayon, graphite and opaque white pigment on card
Dimensions38.4 x 28.1 cm
Origin Canada
Object NumberM965.199.4597
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Right Under His Nose.
Right Under His Nose.
John Collins
About 1956
M965.199.8721
Trying to Keep His Nose to the Grindstone.
Trying to Keep His Nose to the Grindstone.
John Collins
About 1947
M965.199.8327
Following His Nose.
Following His Nose.
John Collins
1956
M965.199.8696
Time His Left Hand Knew What His Right is Doing.
Time His Left Hand Knew What His Right is Doing.
John Collins
About 1946
M965.199.104
Cutting Off His Nose to Spite His Face.
Cutting Off His Nose to Spite His Face.
John Collins
About 1951
M965.199.7776
Cutting Off His Nose to Spite His Face.
Cutting Off His Nose to Spite His Face.
John Collins
About 1959
M965.199.9083
High Time He Let His Right Hand Know What His Left Is Doing.
High Time He Let His Right Hand Know What His Left Is Doing.
John Collins
1949
M965.199.1385
Right in His Own Backyard.
Right in His Own Backyard.
John Collins
About 1968
M965.199.6642
Bringing it Richt Under Is Nose.
Bringing it Richt Under Is Nose.
John Collins
1940/05/14
M965.199.1793
Right in his Own Backyard.
Right in his Own Backyard.
John Collins
About 1960
M965.199.3970
Right Up His Alley.
Right Up His Alley.
John Collins
About 1949
M965.199.661
Right Up His Alley.
Right Up His Alley.
John Collins
1960-1961
M965.199.9352

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.