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Cartoon - Cutting Off His Nose to Spite His Face. | McCord Museum
Aux grands maux les grands moyens
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Aux grands maux les grands moyens

Cartoon

Cutting Off His Nose to Spite His Face.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1959
Medium / Technique Ink and graphite on paper
Dimensions37.0 x 29.2 cm
Origin Canada
Object NumberM965.199.9083
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Cutting Off His Nose to Spite His Face.
Cutting Off His Nose to Spite His Face.
John Collins
About 1951
M965.199.7776
Trying to Keep His Nose to the Grindstone.
Trying to Keep His Nose to the Grindstone.
John Collins
About 1947
M965.199.8327
Following His Nose.
Following His Nose.
John Collins
1956
M965.199.8696
Right Under His Nose.
Right Under His Nose.
John Collins
About 1956
M965.199.8721
Right Under His Nose
Right Under His Nose
John Collins
About 1944
M965.199.4597
Taking His Mind Off His Work.
Taking His Mind Off His Work.
John Collins
About 1939
M965.199.4253
Taking His Mind Off His Work.
Taking His Mind Off His Work.
John Collins
About 1939
M965.199.4288
Taking His Mind Off His Work ?.
Taking His Mind Off His Work ?.
John Collins
1940/01/24
M965.199.1979
Laughing On the Other Side of His Face.
Laughing On the Other Side of His Face.
John Collins
About 1944
M965.199.5658
This Samson Seems to Be Cutting His Own Hair.
This Samson Seems to Be Cutting His Own Hair.
John Collins
About 1950
M965.199.5960
Trying to Bring Him Down Off His High Horse.
Trying to Bring Him Down Off His High Horse.
John Collins
1956
M965.199.1033
Can't Get His Mind Off the Farmer's Daughter.
Can't Get His Mind Off the Farmer's Daughter.
John Collins
1949
M965.199.5999

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.