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Cartoon - The Show Goes On. | McCord Museum
Le spectacle continue
Le spectacle continue

Cartoon

The Show Goes On.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1968
Medium / Technique Ink, graphite and opaque white pigment on card
Dimensions37.2 x 29.0 cm
Origin Canada
Object NumberM965.199.6789
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
"No, No, It's the Ship Goes Down with the Captain".
"No, No, It's the Ship Goes Down with the Captain".
John Collins
About 1966
M965.199.1406
His Spirit Goes Sneaking On.
His Spirit Goes Sneaking On.
John Collins
1960
M965.199.8946
His Spirit Goes Sneaking On.
His Spirit Goes Sneaking On.
John Collins
About 1960
M965.199.8945
Wait Until He Goes to Take a Bow.
Wait Until He Goes to Take a Bow.
John Collins
1957
M965.199.6332
The Radio Serial that Goes On and On and On.
The Radio Serial that Goes On and On and On.
John Collins
1952
M965.199.6131
The Music Goes Round and Round.
The Music Goes Round and Round.
John Collins
About 1952
M965.199.6127
Around and Around it Goes-.
Around and Around it Goes-.
John Collins
About 1958
M965.199.1167
His Spirit Goes Marching On.
His Spirit Goes Marching On.
John Collins
About 1950
M965.199.288
The Second Team Goes in.
The Second Team Goes in.
John Collins
1955
M965.199.7389
And the Railroad Goes Through the Middle of the House.
And the Railroad Goes Through the Middle of the House.
John Collins
About 1957
M965.199.504
Before He Goes Down for the Third Time.
Before He Goes Down for the Third Time.
John Collins
About 1946
M965.199.5094
Rip Van Winkle Goes to Washington.
Rip Van Winkle Goes to Washington.
John Collins
1952
M965.199.5524

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.