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Cartoon - His Spirit Goes Sneaking On. | McCord Museum
Les artistes du cirque
Les artistes du cirque

Cartoon

His Spirit Goes Sneaking On.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1960
Medium / Technique Ink, graphite, watercolour and opaque white pigment on paper
Dimensions37.0 x 29.0 cm
Origin Canada
Object NumberM965.199.8946
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
His Spirit Goes Sneaking On.
His Spirit Goes Sneaking On.
John Collins
About 1960
M965.199.8945
His Spirit Goes Marching On.
His Spirit Goes Marching On.
John Collins
About 1950
M965.199.288
His Spirit Goes Marching On.
His Spirit Goes Marching On.
John Collins
1949
M965.199.8109
His Spirit Goes Marching On.
His Spirit Goes Marching On.
John Collins
1948
M965.199.1130
But His Soul Goes Marching On.
But His Soul Goes Marching On.
John Collins
About 1945
M965.199.8828
Trying to Bring Him Down Off His High Horse.
Trying to Bring Him Down Off His High Horse.
John Collins
1956
M965.199.1033
Don't Fall for His Act.
Don't Fall for His Act.
John Collins
About 1951
M965.199.7683
Ship on His Shoulder.
Ship on His Shoulder.
John Collins
1956/08/16
M965.199.8513
Not Having Much Luck in Living Him Down Off His High Horse.
Not Having Much Luck in Living Him Down Off His High Horse.
John Collins
About 1959
M965.199.5116
Hard to Keep His Mind on His Work.
Hard to Keep His Mind on His Work.
John Collins
1948
M965.199.8252
His Bark Is Worse than His Bite.
His Bark Is Worse than His Bite.
John Collins
About 1953
M965.199.5359
High Time He Let His Right Hand Know What His Left Is Doing.
High Time He Let His Right Hand Know What His Left Is Doing.
John Collins
1949
M965.199.1385

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.