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Cartoon - Now that He's at Bat. | McCord Museum
Maintenant qu'il est au bâton
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Maintenant qu'il est au bâton

Cartoon

Now that He's at Bat.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date 1958
Medium / Technique Ink and graphite on paper
Dimensions36.8 x 29.2 cm
Origin Canada
Object NumberM965.199.6316
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
The Horse He's Betting On Now.
The Horse He's Betting On Now.
John Collins
About 1949
M965.199.7864
Might Help Him to See Where He's Going.
Might Help Him to See Where He's Going.
John Collins
About 1946
M965.199.10092
He's Got His Eye on You.
He's Got His Eye on You.
John Collins
About 1951
M965.199.7664
Maybe this Time He's Not April Fooling.
Maybe this Time He's Not April Fooling.
John Collins
About 1955
M965.199.710
While He's Taking the Bows.
While He's Taking the Bows.
John Collins
1952
M965.199.5463
"But He's Going in the Wrong Direction-".
"But He's Going in the Wrong Direction-".
John Collins
About 1947
M965.199.1336
Picture Puzzle: Guess What He's Aiming At.
Picture Puzzle: Guess What He's Aiming At.
John Collins
About 1959
M965.199.5229
He's Hooked But Not Landed.
He's Hooked But Not Landed.
John Collins
1943/11/20
M965.199.2242
A Right to Know Where He's Going.
A Right to Know Where He's Going.
John Collins
1940/11/15
M965.199.1941
The Chance He's Been Waiting For.
The Chance He's Been Waiting For.
John Collins
1940/04/12
M965.199.1768
But Now He Has to Learn to Stand on His Own Feet.
But Now He Has to Learn to Stand on His Own Feet.
John Collins
1947
M965.199.232
Now He Really Has Something to Cry About.
Now He Really Has Something to Cry About.
John Collins
About 1953
M965.199.9486

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.