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Cartoon - He's Hooked But Not Landed. | McCord Museum
Ne nous réjouissons pas trop vite
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Ne nous réjouissons pas trop vite

Cartoon

He's Hooked But Not Landed.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1943/11/20
Medium / Technique Ink, crayon, graphite and opaque white pigment on card
Dimensions37.2 x 28.1 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.2242
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
A Right to Know Where He's Going.
A Right to Know Where He's Going.
John Collins
1940/11/15
M965.199.1941
He's Got His Eye on You.
He's Got His Eye on You.
John Collins
About 1951
M965.199.7664
The Horse He's Betting On Now.
The Horse He's Betting On Now.
John Collins
About 1949
M965.199.7864
"But He's Going in the Wrong Direction-".
"But He's Going in the Wrong Direction-".
John Collins
About 1947
M965.199.1336
Picture Puzzle: Guess What He's Aiming At.
Picture Puzzle: Guess What He's Aiming At.
John Collins
About 1959
M965.199.5229
The Chance He's Been Waiting For.
The Chance He's Been Waiting For.
John Collins
1940/04/12
M965.199.1768
Might Help Him to See Where He's Going.
Might Help Him to See Where He's Going.
John Collins
About 1946
M965.199.10092
Now that He's at Bat.
Now that He's at Bat.
John Collins
1958
M965.199.6316
Maybe this Time He's Not April Fooling.
Maybe this Time He's Not April Fooling.
John Collins
About 1955
M965.199.710
While He's Taking the Bows.
While He's Taking the Bows.
John Collins
1952
M965.199.5463
A Councillor Who Knows What He's Doing
A Councillor Who Knows What He's Doing
Normand Hudon
1960
M997.63.58
Hooked.
Hooked.
John Collins
About 1967
M965.199.9284

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.