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Cartoon - Maybe this Time He's Not April Fooling. | McCord Museum
Il s'est encore fait avoir
Il s'est encore fait avoir

Cartoon

Maybe this Time He's Not April Fooling.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1955
Medium / Technique Ink and graphite on paper
Dimensions36.5 x 28.8 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.710
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
April Fool’s Day, and Raymond Bachand thinks he’s caught a big one!
April Fool’s Day, and Raymond Bachand thinks he’s caught a big one!
Garnotte
2010
M2012.51.293
While He's Taking the Bows.
While He's Taking the Bows.
John Collins
1952
M965.199.5463
Might Help Him to See Where He's Going.
Might Help Him to See Where He's Going.
John Collins
About 1946
M965.199.10092
He's Got His Eye on You.
He's Got His Eye on You.
John Collins
About 1951
M965.199.7664
Now that He's at Bat.
Now that He's at Bat.
John Collins
1958
M965.199.6316
The Horse He's Betting On Now.
The Horse He's Betting On Now.
John Collins
About 1949
M965.199.7864
"But He's Going in the Wrong Direction-".
"But He's Going in the Wrong Direction-".
John Collins
About 1947
M965.199.1336
Picture Puzzle: Guess What He's Aiming At.
Picture Puzzle: Guess What He's Aiming At.
John Collins
About 1959
M965.199.5229
He's Hooked But Not Landed.
He's Hooked But Not Landed.
John Collins
1943/11/20
M965.199.2242
A Right to Know Where He's Going.
A Right to Know Where He's Going.
John Collins
1940/11/15
M965.199.1941
No Fooling ?.
No Fooling ?.
John Collins
1960/04/01
M965.199.2397
The Chance He's Been Waiting For.
The Chance He's Been Waiting For.
John Collins
1940/04/12
M965.199.1768

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.