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Cartoon - Things Will Be Different in the Second Half. | McCord Museum
Les choses vont changer à la deuxième mi-temps
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Les choses vont changer à la deuxième mi-temps

Cartoon

Things Will Be Different in the Second Half.
Artist (1917-2007)
SignatureC. r. within image, JOHN COLLINS
Date 1958
Medium / Technique Ink and graphite on paper
Dimensions36.8 x 29.0 cm
Origin Canada
Object NumberM965.199.6253
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Things Look Different Backstage.
Things Look Different Backstage.
John Collins
About 1952
M965.199.5518
Trying to Warm Things Up a Bit.
Trying to Warm Things Up a Bit.
John Collins
About 1960
M965.199.8955
Things Aren't So One-Sided Any More.
Things Aren't So One-Sided Any More.
John Collins
About 1949
M965.199.7971
"These Things Aren't Foolproof".
"These Things Aren't Foolproof".
John Collins
About 1961
M965.199.9730
These Things Have a Habit of Snowballing.
These Things Have a Habit of Snowballing.
John Collins
About 1958
M965.199.6193
See'in Things.
See'in Things.
John Collins
About 1946
M965.199.2913
How Well You Put Things, Nikita !.
How Well You Put Things, Nikita !.
John Collins
About 1959
M965.199.5022
Not the Way to Clear Things Up.
Not the Way to Clear Things Up.
John Collins
About 1957
M965.199.8511
Shape of Things to Come.
Shape of Things to Come.
John Collins
1943/01/28
M965.199.2006
Shape of Things to Come ?.
Shape of Things to Come ?.
John Collins
About 1954
M965.199.7545
Shape of Things to Come.
Shape of Things to Come.
John Collins
1944/02/10
M965.199.2302
Making Things Shipshape Again.
Making Things Shipshape Again.
John Collins
About 1939
M965.199.4078

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.