Skip to main content
Collections Menu
Cartoon - Shape of Things to Come. | McCord Museum
Vision du futur
Vision du futur

Cartoon

Shape of Things to Come.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1943/01/28
Medium / Technique Ink, crayon, graphite, paper (printed colour map) on Cardboard
Collage
Dimensions36.8 x 29.2 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.2006
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Shape of Things to Come.
Shape of Things to Come.
John Collins
1944/02/10
M965.199.2302
Shape of Things to Come.
Shape of Things to Come.
John Collins
1945
M965.199.4499
Shape of Things to Come.
Shape of Things to Come.
John Collins
About 1966
M965.199.749
Shape of Things to Come ?.
Shape of Things to Come ?.
John Collins
About 1954
M965.199.7545
The Shape of Things to Come.
The Shape of Things to Come.
John Collins
1963
M965.199.7188
Shape of Thing to Come.
Shape of Thing to Come.
John Collins
1945
M965.199.2525
The Shadow of Things to Come.
The Shadow of Things to Come.
John Collins
About 1939
M965.199.4133
Hunting Season.
Hunting Season.
John Collins
1943/09/23
M965.199.2200
Making Things Shipshape Again.
Making Things Shipshape Again.
John Collins
About 1939
M965.199.4078
The Way to Look at Things.
The Way to Look at Things.
John Collins
1942/04/25
M965.199.3348
Ménard invites police officers to come and “get things off their chest” in private…
Ménard invites police officers to come and “get things off their chest” in private…
Garnotte
2013
M2020.92.115
"I'm Using the Hose-Why Don't Things Cool Down ?".
"I'm Using the Hose-Why Don't Things Cool Down ?".
John Collins
About 1967
M965.199.5897

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.