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Cartoon - Things Look Different Backstage. | McCord Museum
L'envers du décor
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L'envers du décor

Cartoon

Things Look Different Backstage.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1952
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions37.1 x 29.3 cm
Origin Canada
Object NumberM965.199.5518
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Things Will Be Different in the Second Half.
Things Will Be Different in the Second Half.
John Collins
1958
M965.199.6253
The Way to Look at Things.
The Way to Look at Things.
John Collins
1942/04/25
M965.199.3348
"Things Look So Normal Here".
"Things Look So Normal Here".
John Collins
1963
M965.199.7289
Trying to Warm Things Up a Bit.
Trying to Warm Things Up a Bit.
John Collins
About 1960
M965.199.8955
Things Aren't So One-Sided Any More.
Things Aren't So One-Sided Any More.
John Collins
About 1949
M965.199.7971
"These Things Aren't Foolproof".
"These Things Aren't Foolproof".
John Collins
About 1961
M965.199.9730
Not the Way to Clear Things Up.
Not the Way to Clear Things Up.
John Collins
About 1957
M965.199.8511
Shape of Things to Come ?.
Shape of Things to Come ?.
John Collins
About 1954
M965.199.7545
Making Things Shipshape Again.
Making Things Shipshape Again.
John Collins
About 1939
M965.199.4078
The Shadow of Things to Come.
The Shadow of Things to Come.
John Collins
About 1939
M965.199.4133
There's Always Something to Spoil Things.
There's Always Something to Spoil Things.
John Collins
About 1966
M965.199.865
How Well You Put Things, Lester.
How Well You Put Things, Lester.
John Collins
About 1965
M965.199.1475

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.