Skip to main content
Collections Menu
Cartoon - Now the Shoe is On the Other Foot. | McCord Museum
Il a trouvé chaussure à son pied
View PDF
Il a trouvé chaussure à son pied

Cartoon

Now the Shoe is On the Other Foot.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1953
Medium / Technique Ink and graphite on paper
Dimensions36.8 x 29.2 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.597
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Now the Shoe is on the Other Foot.
Now the Shoe is on the Other Foot.
John Collins
1943/10/08
M965.199.2211
Now the Shoe is on the Other Foot.
Now the Shoe is on the Other Foot.
John Collins
About 1943
M965.199.4697
Now the Shoe is on the Other Foot.
Now the Shoe is on the Other Foot.
John Collins
1943/03/18
M965.199.2047
The Shoe is on the Other Foot Now.
The Shoe is on the Other Foot Now.
John Collins
1945
M965.199.4389
Waiting for Him to Drop the Other Shoe.
Waiting for Him to Drop the Other Shoe.
John Collins
About 1951
M965.199.8262
When Is He Going to Drop the Other Shoe ?.
When Is He Going to Drop the Other Shoe ?.
John Collins
About 1953
M965.199.5641
OK ! Drop the Other Shoe.
OK ! Drop the Other Shoe.
John Collins
1949
M965.199.7969
Now to Build Up the Other One.
Now to Build Up the Other One.
John Collins
About 1951
M965.199.8302
Hot Foot.
Hot Foot.
John Collins
About 1946
M965.199.9978
Trying to Get a Foot in the Door.
Trying to Get a Foot in the Door.
John Collins
About 1960
M965.199.3998
Worst Foot Forward.
Worst Foot Forward.
John Collins
About 1946
M965.199.10020
With His Foot on the Scales.
With His Foot on the Scales.
John Collins
About 1948
M965.199.3617

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.