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Cartoon - OK ! Drop the Other Shoe. | McCord Museum
Quand va-t-il laisser tomber l'autre chaussure?
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Quand va-t-il laisser tomber l'autre chaussure?

Cartoon

OK ! Drop the Other Shoe.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1949
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.8 x 29.0 cm
Origin Canada
Object NumberM965.199.7969
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
When Is He Going to Drop the Other Shoe ?.
When Is He Going to Drop the Other Shoe ?.
John Collins
About 1953
M965.199.5641
Ok, Louis, Drop the Gun !.
Ok, Louis, Drop the Gun !.
John Collins
1949
M965.199.1380
Waiting for Him to Drop the Other Shoe.
Waiting for Him to Drop the Other Shoe.
John Collins
About 1951
M965.199.8262
The Shoe is on the Other Foot Now.
The Shoe is on the Other Foot Now.
John Collins
1945
M965.199.4389
Now the Shoe is On the Other Foot.
Now the Shoe is On the Other Foot.
John Collins
About 1953
M965.199.597
Now the Shoe is on the Other Foot.
Now the Shoe is on the Other Foot.
John Collins
1943/10/08
M965.199.2211
Now the Shoe is on the Other Foot.
Now the Shoe is on the Other Foot.
John Collins
About 1943
M965.199.4697
Now the Shoe is on the Other Foot.
Now the Shoe is on the Other Foot.
John Collins
1943/03/18
M965.199.2047
OK, Comrades, Try Working on This.
OK, Comrades, Try Working on This.
John Collins
About 1963
M965.199.7145
Refuses to Drop.
Refuses to Drop.
John Collins
About 1953
M965.199.9497
"Let's Each Drop the Gun".
"Let's Each Drop the Gun".
John Collins
About 1955
M965.199.721
Waiting for the Ash to Drop.
Waiting for the Ash to Drop.
John Collins
1954
M965.199.7963

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.