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Cartoon - Waiting for Him to Drop the Other Shoe. | McCord Museum
En attendant qu'il laisse tomber l'autre chaussure
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En attendant qu'il laisse tomber l'autre chaussure

Cartoon

Waiting for Him to Drop the Other Shoe.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1951
Medium / Technique Ink and graphite on paper
Dimensions36.9 x 29.1 cm
Origin Canada
Object NumberM965.199.8262
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
When Is He Going to Drop the Other Shoe ?.
When Is He Going to Drop the Other Shoe ?.
John Collins
About 1953
M965.199.5641
OK ! Drop the Other Shoe.
OK ! Drop the Other Shoe.
John Collins
1949
M965.199.7969
Waiting for the Ash to Drop.
Waiting for the Ash to Drop.
John Collins
1954
M965.199.7963
Now the Shoe is On the Other Foot.
Now the Shoe is On the Other Foot.
John Collins
About 1953
M965.199.597
Now the Shoe is on the Other Foot.
Now the Shoe is on the Other Foot.
John Collins
1943/10/08
M965.199.2211
Now the Shoe is on the Other Foot.
Now the Shoe is on the Other Foot.
John Collins
About 1943
M965.199.4697
Now the Shoe is on the Other Foot.
Now the Shoe is on the Other Foot.
John Collins
1943/03/18
M965.199.2047
The Shoe is on the Other Foot Now.
The Shoe is on the Other Foot Now.
John Collins
1945
M965.199.4389
Refuses to Drop.
Refuses to Drop.
John Collins
About 1953
M965.199.9497
Another Iron Curtain Drops.
Another Iron Curtain Drops.
John Collins
About 1949
M965.199.5965
Expecting More than a Drop in the Bucket.
Expecting More than a Drop in the Bucket.
John Collins
1949
M965.199.1105
Ok, Louis, Drop the Gun !.
Ok, Louis, Drop the Gun !.
John Collins
1949
M965.199.1380

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.