Skip to main content
Collections Menu
Cartoon - Uno Who Reviews the Year. | McCord Museum
La revue de l'année
View PDF
La revue de l'année

Cartoon

Uno Who Reviews the Year.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1957
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions37.0 x 30.0 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.469
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Uno Who Reviews the Year.
Uno Who Reviews the Year.
John Collins
1956
M965.199.8664
Uno Who Reviews the Year.
Uno Who Reviews the Year.
John Collins
1958
M965.199.6237
Uno Who Reviews the Year.
Uno Who Reviews the Year.
John Collins
1954
M965.199.7945
Uno Who Reviews the Year.
Uno Who Reviews the Year.
John Collins
1958
M965.199.1203
Uno Who's New Year Forecast.
Uno Who's New Year Forecast.
John Collins
1956
M965.199.8683
Book Reviews Must Be Turned In Immediately Please.
Book Reviews Must Be Turned In Immediately Please.
John Collins
1940-1950
M965.199.1
Uno Who's Calendar for the New Year.
Uno Who's Calendar for the New Year.
John Collins
About 1953
M965.199.5477
Uno Who's Almanac for 1954.
Uno Who's Almanac for 1954.
John Collins
1953
M965.199.9537
Uno Who's Ottawa Christmas List.
Uno Who's Ottawa Christmas List.
John Collins
About 1955
M965.199.8631
Uno Who's Attempts to Beat the Postal Increase.
Uno Who's Attempts to Beat the Postal Increase.
John Collins
About 1954
M965.199.7585
Uno Who's National Gallery-Sculpture Section.
Uno Who's National Gallery-Sculpture Section.
John Collins
1956
M965.199.8145
Uno Who Receives the Sixties.
Uno Who Receives the Sixties.
John Collins
1970
M965.199.6945

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.