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Cartoon - Book Reviews Must Be Turned In Immediately Please. | McCord Museum
Veuillez remettre immédiatement les critiques de livres
Veuillez remettre immédiatement les critiques de livres

Cartoon

Book Reviews Must Be Turned In Immediately Please.
Artist (1917-2007)
SignatureNon signé / Unsigned
Date 1940-1950
Medium / Technique Ink and graphite on cardboard
Dimensions36.6 x 29.2 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.1
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Uno Who Reviews the Year.
Uno Who Reviews the Year.
John Collins
1954
M965.199.7945
Uno Who Reviews the Year.
Uno Who Reviews the Year.
John Collins
1958
M965.199.1203
Uno Who Reviews the Year.
Uno Who Reviews the Year.
John Collins
About 1957
M965.199.469
Uno Who Reviews the Year.
Uno Who Reviews the Year.
John Collins
1956
M965.199.8664
Uno Who Reviews the Year.
Uno Who Reviews the Year.
John Collins
1958
M965.199.6237
Passengers from CJMS and CKAC must disembark immediately!
Passengers from CJMS and CKAC must disembark immediately!
Serge Chapleau
1994
M996.10.636.1-2
Ottawa reviews security measures in its embassies in Muslim countries…
Ottawa reviews security measures in its embassies in Muslim countries…
Garnotte
2012
M2019.45.172
Turned Upside Down.
Turned Upside Down.
John Collins
1967
M965.199.9629
A Fine Caddy He Turned Out to Be.
A Fine Caddy He Turned Out to Be.
John Collins
About 1957
M965.199.8554
Now the Tables are Turned.
Now the Tables are Turned.
John Collins
1943/04/30
M965.199.2081
The Tide Still Hasn't Turned.
The Tide Still Hasn't Turned.
John Collins
About 1959
M965.199.6037
Trying to Please Both
Trying to Please Both
John Collins
About 1939
M965.199.4298

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.