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Cartoon - Uno Who Receives the Sixties. | McCord Museum
Survol des années soixante
Survol des années soixante

Cartoon

Uno Who Receives the Sixties.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1970
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions37.0 x 29.4 cm
Origin Canada
Object NumberM965.199.6945
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Courrèges: Le style des années soixantes/Style of the Sixties 
Courrèges: Le style des années soixantes/Style of the Sixties 
Eugenie Groh
1991
M2017.114.253
Uno Who's National Gallery-Sculpture Section.
Uno Who's National Gallery-Sculpture Section.
John Collins
1956
M965.199.8145
Uno Who Reviews the Year.
Uno Who Reviews the Year.
John Collins
About 1957
M965.199.469
Uno Who's Almanac for 1954.
Uno Who's Almanac for 1954.
John Collins
1953
M965.199.9537
Uno Who's Ottawa Christmas List.
Uno Who's Ottawa Christmas List.
John Collins
About 1955
M965.199.8631
Uno Who's New Year Forecast.
Uno Who's New Year Forecast.
John Collins
1956
M965.199.8683
Uno Who's Attempts to Beat the Postal Increase.
Uno Who's Attempts to Beat the Postal Increase.
John Collins
About 1954
M965.199.7585
Uno Who's Guide to the Centennial.
Uno Who's Guide to the Centennial.
John Collins
1967
M965.199.5927
B and B and Uno Who.
B and B and Uno Who.
John Collins
About 1965
M965.199.1563
Uno Who's Gift List.
Uno Who's Gift List.
John Collins
About 1963
M965.199.2722
Masterpieces from Uno Who's National Gallery.
Masterpieces from Uno Who's National Gallery.
John Collins
About 1963
M965.199.9178
Uno Who Reviews the Year.
Uno Who Reviews the Year.
John Collins
1954
M965.199.7945

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.