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Gelatin silver glass plate negative - Landscape, painting by Percy Franklin Woodcock, 1915, copied in 1915 for Art Gallery | McCord Museum
Paysage, peinture de Percy Franklin Woodcock, 1915, copie réalisée en 1915 pour l'Art Gallery
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Paysage, peinture de Percy Franklin Woodcock, 1915, copie réalisée en 1915 pour l'Art Gallery

Gelatin silver glass plate negative

Landscape, painting by Percy Franklin Woodcock, 1915, copied in 1915 for Art Gallery
Artist (1882-1919)
SignatureNon signé / Unsigned
Date 1915
Medium / Technique Silver salts on glass
Gelatin dry plate process
Dimensions20.1 x 25.2 cm
Origin Canada
Object NumberVIEW-15013
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
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Wm. Notman & Son Ltd.
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Landscape, painting by Alexander Young Jackson, copied for Art Association 1915
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Wm. Notman & Son
1915
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Landscape, 1914, painting by A. D. Rozaire, copied in 1915 for Art Association
Landscape, 1914, painting by A. D. Rozaire, copied in 1915 for Art Association
Wm. Notman & Son
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Landscape, painting by J. W. Beatty, copied for Art Association, 1915
Landscape, painting by J. W. Beatty, copied for Art Association, 1915
Wm. Notman & Son
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Winter landscape, painting by Maurice Cullen, copied for Watson Art Gallery 1930-31
Winter landscape, painting by Maurice Cullen, copied for Watson Art Gallery 1930-31
Wm. Notman & Son Ltd.
1930-1931
VIEW-24901
Winter landscape, painting by Maurice Cullen, copied for Watson Art Gallery 1930-31
Winter landscape, painting by Maurice Cullen, copied for Watson Art Gallery 1930-31
Wm. Notman & Son Ltd.
1930-1931
VIEW-24903

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.