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Gelatin silver glass plate negative - Landscape, painting by J. W. Beatty, copied for Art Association, 1915 | McCord Museum
Paysage, peinture de J. W. Beatty, copie réalisée pour l'Art Association, 1915
Paysage, peinture de J. W. Beatty, copie réalisée pour l'Art Association, 1915

Gelatin silver glass plate negative

Landscape, painting by J. W. Beatty, copied for Art Association, 1915
Artist (1882-1919)
SignatureNon signé / Unsigned
Date 1915
Medium / Technique Silver salts on glass
Gelatin dry plate process
Dimensions20.1 x 25.2 cm
Origin Canada
Object NumberVIEW-15405
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

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Online Collections | McCord Museum - Montreal Social History Museum
Winter landscape, painting by J. W. Beatty, copied 1925
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Landscape, painting by W. B. Baker, copied for Art Association 1916
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Landscape, painting by Ozias Leduc, 1916, copied for Art Association
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Landscape, painting by George Inness, 1892, copied in 1916 for Art Association
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Landscape, painting by James Edward Hervey MacDonald, 1914, copied for Art Association
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Wm. Notman & Son
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Landscape, painting by Percy Franklin Woodcock, 1915, copied in 1915 for Art Gallery
Landscape, painting by Percy Franklin Woodcock, 1915, copied in 1915 for Art Gallery
Wm. Notman & Son
1915
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Riverside, painting by J. W. Beatty, copied 1920
Riverside, painting by J. W. Beatty, copied 1920
Wm. Notman & Son Ltd.
1920
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Woman playing cards, painting by J. W. Beatty, copied 1922
Woman playing cards, painting by J. W. Beatty, copied 1922
Wm. Notman & Son Ltd.
1922
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Indians in canoe, painting by George Agnew Reid, copied in 1915 for Art Association, 1915
Indians in canoe, painting by George Agnew Reid, copied in 1915 for Art Association, 1915
Wm. Notman & Son
1915
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This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.