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Gelatin silver glass plate negative
Landscape, painting by Percy Franklin Woodcock, copied 1925
Photography studio
Wm. Notman & Son Ltd.
(1919-1954)
SignatureNon signé / Unsigned
Date
1925
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions20.2 x 25.3 cm
Origin
Canada
Object NumberVIEW-23453
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Boat moored in river, painting by Percy Franklin Woodcock, copied for Scott & Sons (?), 1925
Wm. Notman & Son Ltd.
1925
VIEW-23198
Landscape, painting by Percy Franklin Woodcock, copied 1918-20
Wm. Notman & Son
1918-1920
VIEW-17958
Landscape, painting by Percy Franklin Woodcock, 1915, copied in 1915 for Art Gallery
Wm. Notman & Son
1915
VIEW-15013
Boat moored, painting by Percy Franklin Woodcock, 1915, copied for Art Association
Wm. Notman & Son
1915
VIEW-15420
Master Morya, painting, copied for Percy Woodcock, 1930-31
Wm. Notman & Son Ltd.
1930
VIEW-24840
Winter landscape, painting by J. W. Beatty, copied 1925
Wm. Notman & Son Ltd.
1925
VIEW-23466
Landscape, painting by J. A. Browne, copied 1925
Wm. Notman & Son Ltd.
1925
VIEW-23469
Landscape, painting by Alexander Young Jackson, copied 1925
Wm. Notman & Son Ltd.
1925
VIEW-23461
Landscape, painting by Maurice Cullen (?), copied for Grolier Society 1925
Wm. Notman & Son Ltd.
1925
VIEW-23484
Landscape with cattle, painting by Jules Dupré, copied 1925
Wm. Notman & Son Ltd.
1925
VIEW-23343
Landscape, painting by William Brymner, 1907, copied in 1925 for Watson Art Gallery
Wm. Notman & Son Ltd.
1925
VIEW-23429
Mrs. Percy Gault (?), painting by Robert Harris, copied 1926-27
Wm. Notman & Son Ltd.
1926-1927
VIEW-23866
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.