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Cartoon - Right in His Own Backyard. | McCord Museum
Dans sa propre cour
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Dans sa propre cour

Cartoon

Right in His Own Backyard.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1968
Medium / Technique Ink, graphite and opaque white pigment on card
Dimensions36.8 x 29.5 cm
Origin Canada
Object NumberM965.199.6642
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Right in his Own Backyard.
Right in his Own Backyard.
John Collins
About 1960
M965.199.3970
Right in His Own Backyard.
Right in His Own Backyard.
John Collins
About 1954
M965.199.7539
Right in His Own Backyard.
Right in His Own Backyard.
John Collins
About 1960
M965.199.8935
Time His Left Hand Knew What His Right is Doing.
Time His Left Hand Knew What His Right is Doing.
John Collins
About 1946
M965.199.104
Each One Paddling His Own Canoe.
Each One Paddling His Own Canoe.
John Collins
About 1939
M965.199.4036
Beating Him at His Own Game.
Beating Him at His Own Game.
John Collins
1940/09/14
M965.199.1889
Going to Paddle His Own Canoe.
Going to Paddle His Own Canoe.
John Collins
About 1939
M965.199.4274
High Time He Let His Right Hand Know What His Left Is Doing.
High Time He Let His Right Hand Know What His Left Is Doing.
John Collins
1949
M965.199.1385
Right Under His Nose
Right Under His Nose
John Collins
About 1944
M965.199.4597
Standing On His Own Feet Now.
Standing On His Own Feet Now.
John Collins
1949
M965.199.644
Wants to Paddle His Own Canoe.
Wants to Paddle His Own Canoe.
John Collins
About 1948
M965.199.5971
This Samson Seems to Be Cutting His Own Hair.
This Samson Seems to Be Cutting His Own Hair.
John Collins
About 1950
M965.199.5960

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.