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Cartoon - Right in His Own Backyard. | McCord Museum
Dans sa propre cour
Dans sa propre cour

Cartoon

Right in His Own Backyard.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1960
Medium / Technique Ink, graphite, watercolour on Paper
Dimensions36.8 x 29.3 cm
Origin Canada
Object NumberM965.199.8935
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Right in his Own Backyard.
Right in his Own Backyard.
John Collins
About 1960
M965.199.3970
Right in His Own Backyard.
Right in His Own Backyard.
John Collins
About 1954
M965.199.7539
Right in His Own Backyard.
Right in His Own Backyard.
John Collins
About 1968
M965.199.6642
The Lifeguard Can Barely Keep His Own Head.
The Lifeguard Can Barely Keep His Own Head.
John Collins
About 1960
M965.199.10107
Frightened by His Own Pumpkin.
Frightened by His Own Pumpkin.
John Collins
About 1967
M965.199.9612
High Time He Let His Right Hand Know What His Left Is Doing.
High Time He Let His Right Hand Know What His Left Is Doing.
John Collins
1949
M965.199.1385
Time His Left Hand Knew What His Right is Doing.
Time His Left Hand Knew What His Right is Doing.
John Collins
About 1946
M965.199.104
Trying to Disown His Own Offspring.
Trying to Disown His Own Offspring.
John Collins
About 1960
M965.199.3953
Ready to Fill His Own Stocking.
Ready to Fill His Own Stocking.
John Collins
About 1945
M965.199.428
Taste of His Own Medicine.
Taste of His Own Medicine.
John Collins
About 1949
M965.199.8365
Victim of His Own Handcuffs.
Victim of His Own Handcuffs.
John Collins
About 1949
M965.199.8359
But Now He Has to Learn to Stand on His Own Feet.
But Now He Has to Learn to Stand on His Own Feet.
John Collins
1947
M965.199.232

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.