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Cartoon - Beating Him at His Own Game. | McCord Museum
Le prendre à son propre jeu
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Le prendre à son propre jeu

Cartoon

Beating Him at His Own Game.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1940/09/14
Medium / Technique Ink, crayon, graphite and opaque white pigment on card
Dimensions38.1 x 28.3 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.1889
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Beating Him at His Own Game.
Beating Him at His Own Game.
John Collins
1942/11/19
M965.199.3497
Trying to Beat Him at His Own Game.
Trying to Beat Him at His Own Game.
John Collins
About 1958
M965.199.6296
Playing His Own Game.
Playing His Own Game.
John Collins
About 1950
M965.199.339
Making Him Walk His Own Plank.
Making Him Walk His Own Plank.
John Collins
1943/08/09
M965.199.2162
Each One Paddling His Own Canoe.
Each One Paddling His Own Canoe.
John Collins
About 1939
M965.199.4036
Going to Paddle His Own Canoe.
Going to Paddle His Own Canoe.
John Collins
About 1939
M965.199.4274
Beating a Path to His Door.
Beating a Path to His Door.
John Collins
1963
M965.199.2732
Get Him on His Feet-But Don't Let Him Goose-Step.
Get Him on His Feet-But Don't Let Him Goose-Step.
John Collins
About 1949
M965.199.10001
Right in His Own Backyard.
Right in His Own Backyard.
John Collins
About 1968
M965.199.6642
Standing On His Own Feet Now.
Standing On His Own Feet Now.
John Collins
1949
M965.199.644
Wants to Paddle His Own Canoe.
Wants to Paddle His Own Canoe.
John Collins
About 1948
M965.199.5971
This Samson Seems to Be Cutting His Own Hair.
This Samson Seems to Be Cutting His Own Hair.
John Collins
About 1950
M965.199.5960

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.