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Cartoon - Rip Van Winkle Goes to Washington. | McCord Museum
Rip Van Winkle s'en va à Washington
Rip Van Winkle s'en va à Washington

Cartoon

Rip Van Winkle Goes to Washington.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1952
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.9 x 29.4 cm
Origin Canada
Object NumberM965.199.5524
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Reveille for Rip Van Winkle.
Reveille for Rip Van Winkle.
John Collins
About 1953
M965.199.9396
Trying to Wake Up Rip Van Winkle.
Trying to Wake Up Rip Van Winkle.
John Collins
About 1951
M965.199.7701
The Awakening of Rip Van Winkle.
The Awakening of Rip Van Winkle.
John Collins
About 1968
M965.199.6549
Ottawa Rip Van Winkle.
Ottawa Rip Van Winkle.
John Collins
About 1947
M965.199.7434
Still Trying to Wake Rip Van Winkle.
Still Trying to Wake Rip Van Winkle.
John Collins
About 1939
M965.199.4228
Shopping Suggestions for London and Washington
Shopping Suggestions for London and Washington
John Collins
About 1956
M965.199.999
Wait Until He Goes to Take a Bow.
Wait Until He Goes to Take a Bow.
John Collins
1957
M965.199.6332
Venus de Washington.
Venus de Washington.
John Collins
1949
M965.199.8092
Under the Washington Big Top.
Under the Washington Big Top.
John Collins
About 1949
M965.199.8078
Washington as seen from Ottawa
Washington as seen from Ottawa
John Collins
About 1953
M965.199.1217
The Radio Serial that Goes On and On and On.
The Radio Serial that Goes On and On and On.
John Collins
1952
M965.199.6131
The Music Goes Round and Round.
The Music Goes Round and Round.
John Collins
About 1952
M965.199.6127

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.