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Cartoon - Marcos in Exile | McCord Museum
L'exil des Marcos
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L'exil des Marcos
L'exil des Marcos

Cartoon

Marcos in Exile
Artist (Né / Born 1942)
SignatureL. l. within image, AISLIN 86 MTL. GAZETTE
Date 1986/04/15
Medium / Technique Ink, felt pen on Paper
Dimensions35.8 x 25.4 cm
Origin Canada
Object NumberM986.286.169
CollectionMcCord
CreditGift of Iona Monahan
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Richard Hatfield's Telephone Conversation  with Ferdinand Marcos
Richard Hatfield's Telephone Conversation with Ferdinand Marcos
Aislin
1986/02/12
M986.283.47
Marcos on Ice
Marcos on Ice
Aislin
1991
M997.53.138
Marcos Election
Marcos Election
Aislin
1986/02/05
M986.286.153
Canada to Train Haitian Exiles as Police...
Canada to Train Haitian Exiles as Police...
Aislin
1994
M997.53.152
Modern Marco Polo.
Modern Marco Polo.
John Collins
About 1953
M965.199.9513
If Only We Could Exile Them to St. Helen.
If Only We Could Exile Them to St. Helen.
John Collins
About 1955
M965.199.9109
The Exile's Lament
The Exile's Lament
Rostap
1897
M2001X.6.43.7.66
300 French Families Choose Exile in Alberta
300 French Families Choose Exile in Alberta
Normand Hudon
1970
M997.63.15
Piazza San Marco, Venice
Piazza San Marco, Venice
John Henry Walker
About 1850-1885
M930.50.8.73
Marco the Magi's Production of Le Grand David and His Own Spectacular Magic Company - Viva la Magia
Marco the Magi's Production of Le Grand David and His Own Spectacular Magic Company - Viva la Magia
Rick Heath
1977-2012
M2014.128.137
The Exile's View
The Exile's View
W. B.
1871/04/20
M993X.5.986
Information sur huit exilés devant se rendre aux Bermudes / par William Lyon Mackenzie
[1838?]
S001/C3.8,2.6

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.