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Maker
Inconnu / Unknown
Maker
Henry Marshall
Marks or LabelsPrinted label applied to right shoe insole: BY APPOINTMENT TO HER MAJESTY / HENRY MARSHALL / LATE / PATTISON, / BOOTMAKER. / TO / H.R.H. Duchess of Edinburgh / H.R.H. Princess Louis of Hesse / H.R.H. Princess Christian / 74 Oxford Street / LONDON.
Date
about 1910
Medium / Technique
Silk velvet, silk satin, China silk, silk tulle, silk taffeta, leather, silk faille, cotton plain weave, buckram, gold metallic trim, interfacing, faux pearl beads, glass rhinestones, gold metal setting, gold metal fringe, gold metal shank button, boning,
Dimensions.1) Bodice: 48.8 cm (length); bust: 77.4 cm (circumference); outer sleeve: 80.1 cm (length); inner sleeve: 54.3 cm (length)
.2.1) Skirt: 155.6 cm × 95.4 cm (length × width)
.2.2) Purse: 42.1 cm × 21.7 cm (length × width)
.3) Hood: 20.8 cm × 21.2 cm (le
ClassificationPersonal Objects - Clothing - Main Garments
Origin
London, England, Europe
Object NumberM2014.111.97.1-4
CollectionMcCord
CreditGift of Katherine Cleaver
NotesExhibition Costume Balls - Dressing Up History, 1870-1927
A Tudor Lady
Tudor-era characters were also very popular. The gable headdress, an English form from the first half of the 16th century, leaves no doubt of the period the wearer wished to evoke. The glass stones, faux pearls and bullion fringe are exceptionally lavish trimmings. The shoes from the 1870s were either repurposed much later for the costume, or else it had been around for a few decades before the unidentified woman in the photograph wore it.
A Tudor Lady
Tudor-era characters were also very popular. The gable headdress, an English form from the first half of the 16th century, leaves no doubt of the period the wearer wished to evoke. The glass stones, faux pearls and bullion fringe are exceptionally lavish trimmings. The shoes from the 1870s were either repurposed much later for the costume, or else it had been around for a few decades before the unidentified woman in the photograph wore it.
Status
On viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.