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Cartoon - Now We Get to See the Souvenirs. | McCord Museum
Le souvenir de voyage
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Le souvenir de voyage

Cartoon

Now We Get to See the Souvenirs.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1954
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions37.0 x 29.0 cm
Origin Canada
Object NumberM965.199.9530
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Showing Off the Souvenirs.
Showing Off the Souvenirs.
John Collins
About 1954
M965.199.7477
Among His Souvenirs.
Among His Souvenirs.
John Collins
About 1959
M965.199.8737
Now We Get a Closer Look.
Now We Get a Closer Look.
John Collins
1953
M965.199.7354
Now They Can Only See the Negatives.
Now They Can Only See the Negatives.
John Collins
About 1957
M965.199.6214
"But You're Supposed to Let Go" "Now Let's See You Run with It".
"But You're Supposed to Let Go" "Now Let's See You Run with It".
John Collins
1968
M965.199.6891
"Now You Can See What You're in For".
"Now You Can See What You're in For".
John Collins
1968
M965.199.9695
Souvenirs of Quebec City
Souvenirs of Quebec City
Garnotte
2001
M2009.50.60
We Ask for a Subway and We Get an Elevated.
We Ask for a Subway and We Get an Elevated.
John Collins
About 1952
M965.199.5437
Now Let's Get On with the Job
Now Let's Get On with the Job
John Collins
1960
M965.199.3995
Now to Get Back on the Right Track.
Now to Get Back on the Right Track.
John Collins
1955
M965.199.7385
Now to Get the Lion to Co-Operate.
Now to Get the Lion to Co-Operate.
John Collins
About 1949
M965.199.8389
Now We Have to Grow Into It.
Now We Have to Grow Into It.
John Collins
1948-1949
M965.199.9412

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.