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Cartoon - Dead-End Kids. | McCord Museum
Un jeu dangereux
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Un jeu dangereux

Cartoon

Dead-End Kids.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1959
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions37.0 x 29.3 cm
Origin Canada
Object NumberM965.199.8736
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

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Online Collections | McCord Museum - Montreal Social History Museum
Cold War Dead-End Kids.
Cold War Dead-End Kids.
John Collins
1952-1953
M965.199.8818
Dead End Kids.
Dead End Kids.
John Collins
1943/01/06
M965.199.2277
The Come-Back Kids.
The Come-Back Kids.
John Collins
1945-1946
M965.199.2453
Relax, Kids-Meet the Champs.
Relax, Kids-Meet the Champs.
John Collins
About 1962
M965.199.7049
To your rooms, kids, and no more fighting!
To your rooms, kids, and no more fighting!
Normand Hudon
1964
M997.63.492
The NRA launches a target practice video game for iPhones aimed at kids 4 and up…
The NRA launches a target practice video game for iPhones aimed at kids 4 and up…
Garnotte
2013
M2020.92.11
Pauline Marois, while I try to figure it out, could you look after my kids for the day?
Pauline Marois, while I try to figure it out, could you look after my kids for the day?
Serge Chapleau
1997
M999.81.59
Dead End.
Dead End.
John Collins
About 1939
M965.199.4230
Dental care for kids under ten
Dental care for kids under ten
Garnotte
1996
M2007.69.117
Kids from the suburbs are interested in politics…
Kids from the suburbs are interested in politics…
Garnotte
2007
M2011.90.218
Zidane in Montréal-Nord to inspire kids...
Zidane in Montréal-Nord to inspire kids...
Garnotte
2009
M2012.51.138
Queen's visit to the Caribbean: 1400 kids
Queen's visit to the Caribbean: 1400 kids
Duncan Macpherson
1966
M2012.123.15

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.