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Cartoon - Still Trying for an Encore. | McCord Museum
Ils essaient encore d'avoir un rappel
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Ils essaient encore d'avoir un rappel

Cartoon

Still Trying for an Encore.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1956
Medium / Technique Ink and graphite on paper
Dimensions37.0 x 29.2 cm
Origin Canada
Object NumberM965.199.8699
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Still Trying to Get a Fourth for Bridge.
Still Trying to Get a Fourth for Bridge.
John Collins
About 1953
M965.199.9495
Still Trying for the Big One.
Still Trying for the Big One.
John Collins
About 1946
M965.199.9967
Still Trying to Blow them Out.
Still Trying to Blow them Out.
John Collins
1952
M965.199.617
Still Trying to Blow Out the Candles.
Still Trying to Blow Out the Candles.
John Collins
1959
M965.199.5076
The Pied Piper is Still Trying.
The Pied Piper is Still Trying.
John Collins
About 1952
M965.199.631
Still Trying to Hit the Right Note.
Still Trying to Hit the Right Note.
John Collins
About 1946
M965.199.77
Still Trying to Wake Rip Van Winkle.
Still Trying to Wake Rip Van Winkle.
John Collins
About 1939
M965.199.4228
Still Trying to Fill in the Details.
Still Trying to Fill in the Details.
John Collins
About 1968
M965.199.6815
Trying to Make Time Stand Still.
Trying to Make Time Stand Still.
John Collins
About 1964
M965.199.2647
No Encore.
No Encore.
John Collins
1948
M965.199.9415
It's Always Hard to Find an Encore.
It's Always Hard to Find an Encore.
John Collins
1962
M965.199.3532
« Ce n'est pas encore fini. J'ai eu un garçon à Hong Kong »
« Ce n'est pas encore fini. J'ai eu un garçon à Hong Kong »
John Collins
1945
M965.199.4585

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.