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Cartoon - The Tapered Look. | McCord Museum
Le dernier cri
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Le dernier cri

Cartoon

The Tapered Look.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1956
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.7 x 29.3 cm
Origin Canada
Object NumberM965.199.8620
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
"How Do I Look, Molotov ?".
"How Do I Look, Molotov ?".
John Collins
About 1951
M965.199.7766
Doesn't Look the Same with the Decorations Off.
Doesn't Look the Same with the Decorations Off.
John Collins
About 1953
M965.199.9534
Studying the Washington New Look.
Studying the Washington New Look.
John Collins
About 1953
M965.199.9450
Campaign Cigars are Fine-Until You Look at the Label.
Campaign Cigars are Fine-Until You Look at the Label.
John Collins
1960
M965.199.3997
Looks a Bit Lopsided from Here.
Looks a Bit Lopsided from Here.
John Collins
1955
M965.199.401
Looks Like a Hot Summer.
Looks Like a Hot Summer.
John Collins
1956
M965.199.8147
Looks Like a Good Time for a Challenge.
Looks Like a Good Time for a Challenge.
John Collins
About 1955
M965.199.9894
Look Before You Leap.
Look Before You Leap.
John Collins
1949
M965.199.7625
Looks a Little Crowded on Parliament Hill.
Looks a Little Crowded on Parliament Hill.
John Collins
About 1960
M965.199.8947
Look Who Wants to Play.
Look Who Wants to Play.
John Collins
About 1951
M965.199.7674
Look at it this Way.
Look at it this Way.
John Collins
About 1951
M965.199.7710
Easiest Thing in the World to Hit-But Look Who Profits.
Easiest Thing in the World to Hit-But Look Who Profits.
John Collins
About 1958
M965.199.6326

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.