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Cartoon - Look at it this Way. | McCord Museum
Un investissement qui rapporte
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Un investissement qui rapporte

Cartoon

Look at it this Way.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1951
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.6 x 29.3 cm
Origin Canada
Object NumberM965.199.7710
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Looks Like He'll Have to Walk the Rest of the Way.
Looks Like He'll Have to Walk the Rest of the Way.
John Collins
About 1959
M965.199.6020
Any Way You Look at it.
Any Way You Look at it.
John Collins
About 1954
M965.199.7601
The Way to Look at Things.
The Way to Look at Things.
John Collins
1942/04/25
M965.199.3348
The Way to Look at it.
The Way to Look at it.
John Collins
1942/06/24
M965.199.3471
Wrong Way on a One-Way Street.
Wrong Way on a One-Way Street.
John Collins
About 1953
M965.199.615
"How Do I Look, Molotov ?".
"How Do I Look, Molotov ?".
John Collins
About 1951
M965.199.7766
Doesn't Look the Same with the Decorations Off.
Doesn't Look the Same with the Decorations Off.
John Collins
About 1953
M965.199.9534
Studying the Washington New Look.
Studying the Washington New Look.
John Collins
About 1953
M965.199.9450
Campaign Cigars are Fine-Until You Look at the Label.
Campaign Cigars are Fine-Until You Look at the Label.
John Collins
1960
M965.199.3997
Looks a Bit Lopsided from Here.
Looks a Bit Lopsided from Here.
John Collins
1955
M965.199.401
Looks Like a Hot Summer.
Looks Like a Hot Summer.
John Collins
1956
M965.199.8147
Looks Like a Good Time for a Challenge.
Looks Like a Good Time for a Challenge.
John Collins
About 1955
M965.199.9894

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.