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Cartoon - Has Only Himself to Blame. | McCord Museum
Il ne peut que se blâmer lui-même
Il ne peut que se blâmer lui-même

Cartoon

Has Only Himself to Blame.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1949
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.8 x 29.0 cm
Origin Canada
Object NumberM965.199.7868
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Only Hurting Himself.
Only Hurting Himself.
John Collins
About 1948
M965.199.3558
Now He Really Has Something to Cry About.
Now He Really Has Something to Cry About.
John Collins
About 1953
M965.199.9486
Khrushchev Has Adopted the Fireside Chat-News Item.
Khrushchev Has Adopted the Fireside Chat-News Item.
John Collins
About 1961
M965.199.8974
Something New Has Been Added.
Something New Has Been Added.
John Collins
About 1946
M965.199.10021
He Has One Back in Ottawa Too.
He Has One Back in Ottawa Too.
John Collins
1958
M965.199.1181
Not Sure if He Has Anything to Be Thankful For.
Not Sure if He Has Anything to Be Thankful For.
John Collins
About 1948
M965.199.9736
"How Our Boy Has Grown !".
"How Our Boy Has Grown !".
John Collins
1953
M965.199.2997
But Look Who Has the Wheel.
But Look Who Has the Wheel.
John Collins
1949
M965.199.8377
Always Has His Hook in Troubled Waters.
Always Has His Hook in Troubled Waters.
John Collins
About 1951
M965.199.7855
Baby Has Outgrown His Pen.
Baby Has Outgrown His Pen.
John Collins
About 1951
M965.199.7856
Everybody Has a Small Car these Days.
Everybody Has a Small Car these Days.
John Collins
1959
M965.199.6019
"How the Old Place Has Changed".
"How the Old Place Has Changed".
John Collins
About 1953
M965.199.5564

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.