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Cartoon - Only Hurting Himself. | McCord Museum
Le retour du balancier
Le retour du balancier

Cartoon

Only Hurting Himself.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1948
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.8 x 29.4 cm
Origin Canada
Object NumberM965.199.3558
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Has Only Himself to Blame.
Has Only Himself to Blame.
John Collins
About 1949
M965.199.7868
Painting Himself in a Corner.
Painting Himself in a Corner.
John Collins
About 1948
M965.199.9739
Stabbing Himself in the Back.
Stabbing Himself in the Back.
John Collins
About 1958
M965.199.6158
Item: 7,500 dead people receive cheques while Canadian Armed Forces go hurting
Item: 7,500 dead people receive cheques while Canadian Armed Forces go hurting
Aislin
2001
M2007.143.32
The Only Relief in Sight.
The Only Relief in Sight.
John Collins
About 1956
M965.199.5387
Now They Can Only See the Negatives.
Now They Can Only See the Negatives.
John Collins
About 1957
M965.199.6214
The Only Way to Get Together.
The Only Way to Get Together.
John Collins
About 1946
M965.199.2916
And Only the Down Payment, Too.
And Only the Down Payment, Too.
John Collins
1952
M965.199.6134
If Only We Could Harness That ?.
If Only We Could Harness That ?.
John Collins
About 1949
M965.199.9995
The Only Thing that Can Pull It Out.
The Only Thing that Can Pull It Out.
John Collins
About 1947
M965.199.8194
Only a Bird in a Gilded Cage.
Only a Bird in a Gilded Cage.
John Collins
About 1946
M965.199.9565
Soon We Won't Be the Only Pebble on the Beach.
Soon We Won't Be the Only Pebble on the Beach.
John Collins
About 1959
M965.199.6056

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.