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Cartoon - Don't End Up a "Weak-End" Statistic. | McCord Museum
Ne devenez pas une statistique du week-end
Ne devenez pas une statistique du week-end

Cartoon

Don't End Up a "Weak-End" Statistic.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1962
Medium / Technique Ink, graphite, newspaper on Paper
Collage
Dimensions37.0 x 29.2 cm
Origin Canada
Object NumberM965.199.7084
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Don't End Up as Just Another Sta.
Don't End Up as Just Another Sta.
John Collins
About 1958
M965.199.6344
Don't End Your Trip Here.
Don't End Your Trip Here.
John Collins
1959
M965.199.5125
Can We Hold Up Our End ?.
Can We Hold Up Our End ?.
John Collins
About 1949
M965.199.9996
Somehow They Always End Up the Same Way.
Somehow They Always End Up the Same Way.
John Collins
About 1969
M965.199.6956
Hold Up Your End.
Hold Up Your End.
John Collins
1945
M965.199.4773
Where It All Ends Up.
Where It All Ends Up.
John Collins
About 1946
M965.199.79
We'll Have to Hold Up Our End.
We'll Have to Hold Up Our End.
John Collins
1943/11/18
M965.199.2241
It Always Ends Up with the Water-Boy.
It Always Ends Up with the Water-Boy.
John Collins
About 1967
M965.199.9649
Everybody Hopes They End Up on Somebody Else's Lawn.
Everybody Hopes They End Up on Somebody Else's Lawn.
John Collins
About 1967
M965.199.9631
We Have to Hold Up Our End.
We Have to Hold Up Our End.
John Collins
1943/03/10
M965.199.2040
Hunting for a Weak Spot.
Hunting for a Weak Spot.
John Collins
About 1953
M965.199.603
Elephant: An animal with a tale at both ends
Elephant: An animal with a tale at both ends
John Collins
About 1953
M965.199.1218

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.