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Cartoon - It Always Ends Up with the Water-Boy. | McCord Museum
L'heureux élu
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L'heureux élu

Cartoon

It Always Ends Up with the Water-Boy.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1967
Medium / Technique Ink, graphite and opaque white pigment on card
Dimensions36.8 x 29.1 cm
Origin Canada
Object NumberM965.199.9649
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Where It Always Ends.
Where It Always Ends.
John Collins
About 1948
M965.199.8209
Somehow They Always End Up the Same Way.
Somehow They Always End Up the Same Way.
John Collins
About 1969
M965.199.6956
Always Has His Hook in Troubled Waters.
Always Has His Hook in Troubled Waters.
John Collins
About 1951
M965.199.7855
The Way that Handshake Always Seems to End.
The Way that Handshake Always Seems to End.
John Collins
About 1960
M965.199.9145
There's Always Something to Take the Joy Out of Life.
There's Always Something to Take the Joy Out of Life.
John Collins
1966
M965.199.777
Always Two Sides.
Always Two Sides.
John Collins
About 1938
M965.199.4100
There's Always Something to Spoil Things.
There's Always Something to Spoil Things.
John Collins
About 1966
M965.199.865
The Tree is Always too High for the Ceiling.
The Tree is Always too High for the Ceiling.
John Collins
About 1967
M965.199.9280
Where It All Ends Up.
Where It All Ends Up.
John Collins
About 1946
M965.199.79
Always the Goat.
Always the Goat.
John Collins
About 1956
M965.199.1017
Always Leaves His Packing until the Last Minute.
Always Leaves His Packing until the Last Minute.
John Collins
About 1948
M965.199.8231
Always Gets the Joker.
Always Gets the Joker.
John Collins
About 1951
M965.199.8279

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.