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Cartoon - Abused by Both Sides. | McCord Museum
Malmené de tous côtés
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Malmené de tous côtés

Cartoon

Abused by Both Sides.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1939
Medium / Technique Ink, crayon, graphite and opaque white pigment on card
Dimensions36.6 x 28.1 cm
Origin Canada
Object NumberM965.199.4197
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Hit from Both Sides.
Hit from Both Sides.
John Collins
About 1966
M965.199.869
Trying to Fish Both Sides of the Boat.
Trying to Fish Both Sides of the Boat.
John Collins
About 1956
M965.199.1021
It takes both sides to meet half-way
It takes both sides to meet half-way
John Collins
About 1953
M965.199.2961
Talking Out of Both Sides of His Mouth.
Talking Out of Both Sides of His Mouth.
John Collins
About 1950
M965.199.338
A Nutcracker Needs Pressure from Both Sides.
A Nutcracker Needs Pressure from Both Sides.
John Collins
1943/07/16
M965.199.2142
Always Two Sides.
Always Two Sides.
John Collins
About 1938
M965.199.4100
Two Sides To It.
Two Sides To It.
John Collins
1940/10/16
M965.199.1916
There Are Two Sides to that Record.
There Are Two Sides to that Record.
John Collins
About 1947
M965.199.8170
Two Sides to that Coin.
Two Sides to that Coin.
John Collins
About 1949
M965.199.660
A Traffic Cop Should Watch Sides of the Street.
A Traffic Cop Should Watch Sides of the Street.
John Collins
About 1946
M965.199.9558
Two Sides to Everything.
Two Sides to Everything.
John Collins
1940/01/02
M965.199.1687
The Payoff for Being Politically Correct on Both Sides of the Fence...
The Payoff for Being Politically Correct on Both Sides of the Fence...
Aislin
1991/06/22
M996.11.35

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.