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Cartoon - It takes both sides to meet half-way | McCord Museum
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Cartoon

It takes both sides to meet half-way
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1953
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.7 x 29.3 cm
Origin Canada
Object NumberM965.199.2961
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Trying to Fish Both Sides of the Boat.
Trying to Fish Both Sides of the Boat.
John Collins
About 1956
M965.199.1021
Talking Out of Both Sides of His Mouth.
Talking Out of Both Sides of His Mouth.
John Collins
About 1950
M965.199.338
Abused by Both Sides.
Abused by Both Sides.
John Collins
About 1939
M965.199.4197
Hit from Both Sides.
Hit from Both Sides.
John Collins
About 1966
M965.199.869
A Nutcracker Needs Pressure from Both Sides.
A Nutcracker Needs Pressure from Both Sides.
John Collins
1943/07/16
M965.199.2142
"I'll Meet You Half Way".
"I'll Meet You Half Way".
John Collins
1968
M965.199.6561
Takes More Than a Haircut to Change the Inside of a Man's Head.
Takes More Than a Haircut to Change the Inside of a Man's Head.
John Collins
About 1947
M965.199.233
Remember-Death Takes no Holiday.
Remember-Death Takes no Holiday.
John Collins
About 1946
M965.199.2893
What It Takes to Complete the Pictures.
What It Takes to Complete the Pictures.
John Collins
About 1955
M965.199.711
The Cheerleader Takes Over.
The Cheerleader Takes Over.
John Collins
1952
M965.199.6128
Takes Two to Tango.
Takes Two to Tango.
John Collins
About 1959
M965.199.5048
Now the Do-It-Yourself Type Takes Over.
Now the Do-It-Yourself Type Takes Over.
John Collins
About 1957
M965.199.8502

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.