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Cartoon - Let's Get Them in Focus. | McCord Museum
Il faut faire la mise au point
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Il faut faire la mise au point

Cartoon

Let's Get Them in Focus.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1953
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions37.1 x 29.2 cm
Origin Canada
Object NumberM965.199.2972
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Trying to Get Them in Focus.
Trying to Get Them in Focus.
John Collins
About 1956
M965.199.1254
Now Let's Get On with the Job
Now Let's Get On with the Job
John Collins
1960
M965.199.3995
Let's All Get Off our High Horse.
Let's All Get Off our High Horse.
John Collins
About 1953
M965.199.9478
Let's Get to the Bottom of This.
Let's Get to the Bottom of This.
John Collins
About 1958
M965.199.1165
Let's Get the Path Open Again.
Let's Get the Path Open Again.
John Collins
About 1957
M965.199.1209
Let's Get In Step Here Too.
Let's Get In Step Here Too.
John Collins
About 1949
M965.199.8419
Let's Get Our Eyes Back on the Ball.
Let's Get Our Eyes Back on the Ball.
John Collins
1967
M965.199.6481
Let's Get Back on the Mountain !.
Let's Get Back on the Mountain !.
John Collins
About 1946
M965.199.2917
Let's Get Back on the Fairway.
Let's Get Back on the Fairway.
John Collins
1957
M965.199.9020
Having a Hard Time Getting them All in Focus.
Having a Hard Time Getting them All in Focus.
John Collins
1953
M965.199.7351
"But You're Supposed to Let Go" "Now Let's See You Run with It".
"But You're Supposed to Let Go" "Now Let's See You Run with It".
John Collins
1968
M965.199.6891
Let's Leave this Boy at Home.
Let's Leave this Boy at Home.
John Collins
1951
M965.199.7835

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.