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Cartoon - Trying to Get Them in Focus. | McCord Museum
Une mise au point difficile
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Une mise au point difficile

Cartoon

Trying to Get Them in Focus.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1956
Medium / Technique Ink and graphite on paper
Dimensions37.1 x 29.2 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.1254
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Let's Get Them in Focus.
Let's Get Them in Focus.
John Collins
About 1953
M965.199.2972
Having a Hard Time Getting them All in Focus.
Having a Hard Time Getting them All in Focus.
John Collins
1953
M965.199.7351
Still Trying to Blow them Out.
Still Trying to Blow them Out.
John Collins
1952
M965.199.617
Trying Them On for Size.
Trying Them On for Size.
John Collins
About 1956
M965.199.9124
Trying to Fit Them into a Compact.
Trying to Fit Them into a Compact.
John Collins
1960-1961
M965.199.9320
Trying to Keep Them Together.
Trying to Keep Them Together.
John Collins
1940/12/30
M965.199.1975
The Lure that Gets them Every Time.
The Lure that Gets them Every Time.
John Collins
About 1958
M965.199.6356
Trying to Get Everybody in Step.
Trying to Get Everybody in Step.
John Collins
About 1959
M965.199.5087
Trying to Get It Back on the Road.
Trying to Get It Back on the Road.
John Collins
About 1954
M965.199.7900
Trying to Get Both Hands Playing the Same Tune.
Trying to Get Both Hands Playing the Same Tune.
John Collins
1949
M965.199.1119
Trying to Get Him On His Feet Again.
Trying to Get Him On His Feet Again.
John Collins
About 1945
M965.199.412
Trying to Get in the Back Door.
Trying to Get in the Back Door.
John Collins
About 1953
M965.199.8623

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.