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Cartoon - ALWAYS A BRIDESMAID. | McCord Museum
Les Red Sox peuvent-il enfin espérer la victoire cette année?
Les Red Sox peuvent-il enfin espérer la victoire cette année?

Cartoon

ALWAYS A BRIDESMAID.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1946
Medium / Technique Ink and graphite on paper
Dimensions39.5 x 31.0 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.2583
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Always a Bridesmaid-.
Always a Bridesmaid-.
John Collins
About 1948
M965.199.8240
Always the Goat.
Always the Goat.
John Collins
About 1956
M965.199.1017
Always a String Attached.
Always a String Attached.
John Collins
About 1953
M965.199.9473
Where It Always Ends.
Where It Always Ends.
John Collins
About 1948
M965.199.8209
Always Leaves His Packing until the Last Minute.
Always Leaves His Packing until the Last Minute.
John Collins
About 1948
M965.199.8231
The Postman Always Rings Twice.
The Postman Always Rings Twice.
John Collins
About 1954
M965.199.7958
Always Forgets to Raise the Anchor.
Always Forgets to Raise the Anchor.
John Collins
About 1952
M965.199.5454
Always Beat Us to the Drew.
Always Beat Us to the Drew.
John Collins
About 1958
M965.199.6168
Always Has His Hook in Troubled Waters.
Always Has His Hook in Troubled Waters.
John Collins
About 1951
M965.199.7855
Always Gets the Joker.
Always Gets the Joker.
John Collins
About 1951
M965.199.8279
The Big Ones Always Seem to Get Away.
The Big Ones Always Seem to Get Away.
John Collins
About 1951
M965.199.7811
The Way that Handshake Always Seems to End.
The Way that Handshake Always Seems to End.
John Collins
About 1960
M965.199.9145

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.