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Cartoon - Always a String Attached. | McCord Museum
Jouer au yoyo avec la paix
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Jouer au yoyo avec la paix

Cartoon

Always a String Attached.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1953
Medium / Technique Ink, graphite, watercolour on Paper
Dimensions36.6 x 29.4 cm
Origin Canada
Object NumberM965.199.9473
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
The Way that Handshake Always Seems to End.
The Way that Handshake Always Seems to End.
John Collins
About 1960
M965.199.9145
It's Always Hard to Find an Encore.
It's Always Hard to Find an Encore.
John Collins
1962
M965.199.3532
Always Forgets to Raise the Anchor.
Always Forgets to Raise the Anchor.
John Collins
About 1952
M965.199.5454
Always the Goat.
Always the Goat.
John Collins
About 1956
M965.199.1017
Where It Always Ends.
Where It Always Ends.
John Collins
About 1948
M965.199.8209
Always a Bridesmaid-.
Always a Bridesmaid-.
John Collins
About 1948
M965.199.8240
Always Leaves His Packing until the Last Minute.
Always Leaves His Packing until the Last Minute.
John Collins
About 1948
M965.199.8231
The Big Ones Always Seem to Get Away.
The Big Ones Always Seem to Get Away.
John Collins
About 1951
M965.199.7811
The Fellow Who Shakes the Tree Doesn't Always Get the Fruit
The Fellow Who Shakes the Tree Doesn't Always Get the Fruit
John Collins
About 1959
M965.199.5026
Always Feel the Squeeze.
Always Feel the Squeeze.
John Collins
About 1950
M965.199.307
Always in the Way.
Always in the Way.
John Collins
About 1952
M965.199.8823
The Postman Always Rings Twice.
The Postman Always Rings Twice.
John Collins
About 1954
M965.199.7958

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.