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Cartoon - Can't Seem to Hit the Right Note. | McCord Museum
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Cartoon

Can't Seem to Hit the Right Note.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1946
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.7 x 29.1 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.213
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Trying to Hit the Right Note.
Trying to Hit the Right Note.
John Collins
About 1947
M965.199.1331
Still Trying to Hit the Right Note.
Still Trying to Hit the Right Note.
John Collins
About 1946
M965.199.77
"I Can't Understand It-You Seem Cool To Me".
"I Can't Understand It-You Seem Cool To Me".
John Collins
About 1958
M965.199.1205
Can't Seem to Outrun His Shadow.
Can't Seem to Outrun His Shadow.
John Collins
About 1960
M965.199.3989
The Right Note.
The Right Note.
John Collins
About 1946
M965.199.9724
Hunting for the Right Note.
Hunting for the Right Note.
John Collins
About 1969
M965.199.6962
A Hit in the Right Direction.
A Hit in the Right Direction.
John Collins
1940/09/06
M965.199.1882
Not Exactly the Right Note.
Not Exactly the Right Note.
John Collins
About 1968
M965.199.6998
The Smog Doesn't Seem to Lift.
The Smog Doesn't Seem to Lift.
John Collins
About 1950
M965.199.306
Not Everybody Seems to Have Joined the Party.
Not Everybody Seems to Have Joined the Party.
John Collins
About 1970
M965.199.5801
"There Seems to Be a Rickshaw at the Door".
"There Seems to Be a Rickshaw at the Door".
John Collins
1964
M965.199.9580
This Samson Seems to Be Cutting His Own Hair.
This Samson Seems to Be Cutting His Own Hair.
John Collins
About 1950
M965.199.5960

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.