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Cartoon - Showing Off His 1970 Model. | McCord Museum
Le nouveau modèle de l'année 1970
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Le nouveau modèle de l'année 1970

Cartoon

Showing Off His 1970 Model.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date 1958
Medium / Technique Ink and graphite on paper
Dimensions37.0 x 29.2 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.1091
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Showing Off His Strength.
Showing Off His Strength.
John Collins
About 1963
M965.199.9184
Cutting Off His Nose to Spite His Face.
Cutting Off His Nose to Spite His Face.
John Collins
About 1951
M965.199.7776
Cutting Off His Nose to Spite His Face.
Cutting Off His Nose to Spite His Face.
John Collins
About 1959
M965.199.9083
Taking His Mind Off His Work.
Taking His Mind Off His Work.
John Collins
About 1939
M965.199.4253
Taking His Mind Off His Work.
Taking His Mind Off His Work.
John Collins
About 1939
M965.199.4288
Taking His Mind Off His Work ?.
Taking His Mind Off His Work ?.
John Collins
1940/01/24
M965.199.1979
Just Showing the Holes in His Socks.
Just Showing the Holes in His Socks.
John Collins
About 1960
M965.199.8908
Showing the Pictures of His Trip.
Showing the Pictures of His Trip.
John Collins
About 1959
M965.199.5039
Showing His Teeth.
Showing His Teeth.
John Collins
1939
M965.199.4195
And His '68 Model Too !.
And His '68 Model Too !.
John Collins
About 1968
M965.199.9691
Trying to Bring Him Down Off His High Horse.
Trying to Bring Him Down Off His High Horse.
John Collins
1956
M965.199.1033
Can't Get His Mind Off the Farmer's Daughter.
Can't Get His Mind Off the Farmer's Daughter.
John Collins
1949
M965.199.5999

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.